Skip to main content

Review: Leaving While You Stay by Greg Hoy & The Boys

Leaving While You Stay | Greg Hoy & The Boys


In the video for this track, interspersed with colourful shots of the band performing, there is a character jiving and strutting around. He is in a suit, pointing fingers, tweeting and making private phone calls to the Ukrainian president (one can assume), all while wearing a clown/trump hybrid mask. Rarely has there been a more appropriate metaphor.

The Trump administration has gone so far beyond ridiculous that is has pushed political failing in to new realms of horrific corruption, and it would be funny were it not for all the people suffering and dying because of it. That statistic that was revealed recently of how many lies he has told in office was staggering and yet somehow, after nearly four years of it, still quite believable. It was 20,000 by the way. Twenty. Thousand. That is more than 15 lies per day. How can you even comprehend having that much disregard for the American people?

In 'Leaving While You Stay' Greg Hoy & The Boys have attempted to write their own satirical criticism of Trump. I'll be honest and say that until I saw the video I wouldn't have necessarily known that the lyrics were referring to the president. Once I knew this is the topic of choice then it is far more obvious, and the references to his hands and big rockets is quite amusing, but the lyrics are a little bit non-specific on first listen. Maybe that is part of the satire itself, being how Trump's propensity for being articulate and accurate is almost non-existent. From an energetic piece of rock-n-roll though, I would have perhaps liked a bit more bile and conspicuousness from the words.

Talking of the music, it's a catchy bit of 21st century indie-punk-rock-n-roll, with a sound very reminiscent of the NYC garage rock bands of the early 2000s – The Rapture, The Virgins, The Yeah Yeah Yeahs, it's got that vibe to it. From the funky-punk guitar riff that leads the song, to the deliberately slightly off vocal harmonies, to the tight stomping rhythm, this is a song that would fit right at home in Brooklyn in 2003. It's a decent tune that takes me back to a time when white sunglasses, waistcoats, ripped flairs and knackered converse were the wardrobe essentials. Also, perhaps not so coincidentally, the last era when a terrible and incompetent president was in office.

Green Day recently tried to revive this sound with their 'Father of All Motherfuckers' album, and it was a hot-mess of a record that really didn't know what it was doing. It's a shame that they have potentially given people the wrong impression of this sound when guys like Greg Hoy are continuing to do it so well. This track is miles better than anything on that Green Day record, and doesn't come across as pompous and arrogant, something both it's subject matter and the Green Day album have in common.

I don't think 'Leaving While You Stay' is a deliberate piece of nostalgia though, it's better than that. This isn't a tune meant to take you back as much as it is meant to be looking forward to a time when this president finally falls out of the White House and allows some respectability back into the oval office. Fingers crossed, or I think a lot of citizens in the USA will be leaving while he stays.



Comments

Popular posts from this blog

Review: Apparitions by Joe Hodgson

As someone who has played guitar for close to two decades, I understand that the relationship with the instrument can run deep. There is something both beautifully elemental and wildly creative about the guitar which makes it such an endearing medium. But you don't have to be a wizard with the six strings to make amazing music, and those who do verge on the conjuring side often fall into a trap, losing the inherent soulfulness of the instrument for the sake of technical mastery and virtuosic ability. That line can be a fine one to balance on, and getting the equilibrium right is something many a musician has struggled with when putting the guitar as their centrepiece. From the shredding of Steve Vai, Joe Satriani or Tosin Abasi, to the electric blues of Albert King, Gary Moore or Buddy Guy, it can be all too easy for compositions to end up sounding like one big guitar solo. It takes the ingenuity and skill that all these artists possess to elevate guitar instrumentals into somethin

Interview: Lindsay O (NATALIA, Coma Cluster Void, Eyes Of Perdition, Catenation)

Although there sometimes remains an outsider view that metal is still a pretty stagnant and unsophisticated genre, there are actually a wealth of artists in the underground who are pushing the genre forward both musically and culturally. Lindsay O is a brilliant example of the dynamism of modern metal. The LA based vocalist and instrumentalist has been at the front of a number of boundary pushing projects within the broad scope of death metal, and has lent her talents to several different styles and sounds. Whether it's the dissonant tech-death of Coma Cluster Void, the slam death of Eyes Of Perdition, or the industrial experiments of Catenation, her combination of roaring low growls, epic high screams, compelling cleans and charismatic spoken words make everything she puts her voice to exciting. With her new project NATALIA, Lindsay O has taken something of a different turn. Placing her focus into electronic sounds, NATALIA still has much of the intensity and energy of Lindsay O&#

Review: At The Boiling Point by Marshall Oakman

There's something about boogie-woogie in it's modern form that is incredibly joyous. The melting pot of blues, rock n roll and r'n'b that defines the style is infectious but, certainly for those of us in the UK at least, it's rarely heard outside of Jools Holland's TV show jams. And when you do hear it, it's rarely done as well as Marshall Oakman's At The Boiling Point, an instantly catchy and remarkably well composed track that hits every mark a great modern boogie-woogie track should. Marshall Oakman may not be a familiar name, but over his extensive career the New York based musician has forged an impressive path not only as a talented songwriter but also a tremendous performer, with a strong reputation across the Eastern US. For his latest single he has enlisted the help of fellow New Yorkers Kasim Sulton on bass, Liberty DeVitto on drums and Paul Pesco on guitar, all of whom come with fantastic experience and provide skilful playing on the track. At