Skip to main content

Review: Good Times by The Stone MGs

As I have previously spoken about, I was brought up in my early years listening to the blues through my Dad. My Mum however, was a huge northern soul and motown fan, and some of my earliest memories of car journeys to and from school are sound-tracked by the likes of Move On Up, Keep On Runnin' and Heard It Through The Grapevine, songs that to this day I still adore. In my teenage years I went on a discovery into punk and hardcore. Inevitably the garage rock and proto-punk bands such as MC5, The Stooges and The Sonics came to be of keen interest, particularly the latter who I think are one the most ground-breaking yet underrated bands of their era. Shortly after moving to London some years ago, I accidentally ended up at a garage rock night at The Fiddler's Elbow in Camden, and it reignited my interest in the genre. I still listen to some of these bands on occasion; there is something quite compelling about the raw creativity of these groups that never fails to tickle by eardrums.

What I have never been able to find before is a band who combine both of these styles into one, melding the organic soulfulness of early motown with the pulsating energy of garage rock. That is until now, because this blend of styles is exactly what The Stone MGs create. This duo's three track EP Good Times delivers all of this vintage flair with a modern production that doesn't lose any of the grit, and dear god it is fucking fantastic!

The opening track I Need You, originally released a couple of years ago as a single, is a wild and funky opener conjuring up Temptation's style call and response vocals over a driving drum beat and a relentless bass line, while the dirty guitars, smooth organs and saxophone solos make this into an incredibly addictive tune. The vocals throughout this EP really are amazing, the lead vocal particularly sounds like Otis Redding and Rob Tyner somehow crossed their vocal chords together and made a fiercely prodigious hybrid.

Shotgun Mick is a more rock'n'roll tune, taking in New York Dolls vibes as it tells a story of the title character's adventures in a post-apocalyptic motor city. It's got an almost constant pummelling rhythm that reminds me of The Dogs and other harder edged garage rock bands too, whilst in the guitars I even hear some Hendrix-esque grooves. There is still that soul influence in the track too, and it comes out not just in the vocal performance but in the melodies too. This is some clever song-writing and the more you listen the more you can hear the distinct characteristics of this duo.

The final track Detroit is just stunning, combining all of their elements together perfectly. It makes you want to just put your foot to the floor and drive at full speed through the blurring city lights. In this track I can hear the sound of many bands that would come well after motown and garage rock – Queens Of The Stone Age, Grave Pleasures, The (International) Noise Conspiracy, Guitar Wolf and even early Kings Of Leon. When the track breaks down we get a Solomon Burke style call out delivered at break-neck speed before the track builds up again into that stunning chorus.

I absolutely loved this EP, and I cannot wait to hear more from The Stone MGs in the future. What makes this record so good though is not just the sound and the catchy hooks, but that on every listen you can still hear something new. This is isn't just simple four to the floor punk rock'n'roll, these are some well crafted and immaculately written songs that mix motown soul and garage rock in a way I never thought imaginable before.

Listen to Good Times by The Stone MGs right here


Comments

Popular posts from this blog

Interview: Eneko Artola

In a relatively short time Eneko Artola has gone from an unknown figure with a passion for music to one of the most notable new producers in house and music today. His background is fascinating, and his rise is one that seems to be nowhere near it's peak yet. His music combines the kind of soulful, vocal-led house music popularised a few years ago by the likes of Duke Dumont, Disclosure and Swedish House Mafia, and through the latter half of the 2010s has developed into the Electro-Chill and Tropical House scenes. Eneko puts a distinctive French twist into his sound though, reminiscent of some of the French House artists like Cassius or Justice, and it's a sound which has helped him gain some remarkable traction in such a short time. Based in London, the 20 year old originally hails from the French area of the Basque Country; but his travels have taken him beyond Europe, spending time in Canada and China before coming to the UK. In the first part of this interview we talked abo...

Review: Voodoo Macbeth by The Judex

In the modern age, garage rock is one of those genre tags which manages to be somewhat intangible yet also quite specific at the same time; you know the kind of sounds to expect, yet it's also quite hard to pinpoint exactly what defines those sounds as garage rock. Sure there's fuzzy punk rock guitars, relentlessly loud drums and booming rock'n'roll vocals, but then you could say that about any number of genres. The nature of garage rock is more in it's historical outlook, and the utilisation of influences from a bygone era. That doesn't mean garage rock should be a genre reserved specifically for a niche subculture though, because while there is a rich fandom around the style, the best garage rock bands are those who can, musically at least, transcend some of the clichés inherent in those vintage tropes. This is where we find Philadelphia natives The Judex, a four piece whose intense form of garage rock blends in elements from blues, soul, rockabilly and punk. ...

Review: At The Boiling Point by Marshall Oakman

There's something about boogie-woogie in it's modern form that is incredibly joyous. The melting pot of blues, rock n roll and r'n'b that defines the style is infectious but, certainly for those of us in the UK at least, it's rarely heard outside of Jools Holland's TV show jams. And when you do hear it, it's rarely done as well as Marshall Oakman's At The Boiling Point, an instantly catchy and remarkably well composed track that hits every mark a great modern boogie-woogie track should. Marshall Oakman may not be a familiar name, but over his extensive career the New York based musician has forged an impressive path not only as a talented songwriter but also a tremendous performer, with a strong reputation across the Eastern US. For his latest single he has enlisted the help of fellow New Yorkers Kasim Sulton on bass, Liberty DeVitto on drums and Paul Pesco on guitar, all of whom come with fantastic experience and provide skilful playing on the track. At...