Skip to main content

Review: Stay Together by Lawson J


It's February, which means for most of us in the Northern Hemisphere it's cold, wet, windy, and mildly depressing. Couple this with the fact that we're in still in the grips of a global pandemic, and it's not the most cheery of times. Last summer was a restricted one, and the usual joys of holiday sun, summer parties and late night fun were mostly replaced with social distancing, lockdowns and zoom calls. This winter, the memories of the glorious summer are from a year and a half ago. Now though, thanks to the hard work of so many, we can start to look forward to what will hopefully be a better summer. It's also a great time to get some new summer tunes ready, and Stay Together, the latest single by the up-and-coming Lawson J, is a perfect pick for the playlist.


Lawson J is a singer-songwriter and producer who for the last few years has been forging a style that combines classic soul influences such as Tracey Chapman and Marvin Gaye, contemporary sounds from the likes of Drake and Bruno Mars, and the bedroom production values of modern indie R'n'B. Stay Together is his third single following on from the funky pop of Ahi Aye, and the thematically powerful Maria. It's a short, sweet romantic summer tune that fits excellently into the current pop music zeitgeist, combining subtle layers of R'n'B, EDM and afrobeat with an immediately catchy and memorable hook.

Stay Together bears many similarities to recent chart hits, and you could quite easily hear this track being sung by Justin Bieber, Shawn Mendes or even someone more established like Ne-Yo. There's something very refreshing though about an artist who genuinely writes and performs their own songs without vast amounts of outside interference. In a world where the pop music default is to hire multiple songwriters for every track (and often it's the same ones) there has become an increasingly obvious musical homogony. To hear an artist like Lawson J compose his works unilaterally might make only a subtle difference, but it still has a big impact on the song. There is an honesty and an intimate connection between the composition and the performance on Stay Together which you rarely achieve when pop songs are written by focus group.


For all it's lyrical themes of summer romance and the disappointment of having to leave someone behind, ultimately Stay Together is a bouncy, fun and absorbing track that will be very easy to dance to come the summer. My only real criticism is that it simply isn't long enough. Not that you need longer than two and half minutes to make a fine pop song, but sometimes a track feels like it hasn't quite reached it's peak. By the end of Stay Together it feels as though there could have been another dynamic development, a bridge or a middle eight perhaps, that would really have elevated it to the next level. Having said that, it's brevity does make you want to play it over and over again, so perhaps it's not such a bad thing.

Lawson J is clearly a very talented artist and in Stay Together he has single-handedly written, produced and performed a song that is the equal of many recent chart successes. Stay Together also shows ambition and potential, and if this is only the beginning then Lawson J has a hugely promising future in pop music.



Check out the video for Stay Together and listen to the track on Spotify

Comments

Popular posts from this blog

Review: Apparitions by Joe Hodgson

As someone who has played guitar for close to two decades, I understand that the relationship with the instrument can run deep. There is something both beautifully elemental and wildly creative about the guitar which makes it such an endearing medium. But you don't have to be a wizard with the six strings to make amazing music, and those who do verge on the conjuring side often fall into a trap, losing the inherent soulfulness of the instrument for the sake of technical mastery and virtuosic ability. That line can be a fine one to balance on, and getting the equilibrium right is something many a musician has struggled with when putting the guitar as their centrepiece. From the shredding of Steve Vai, Joe Satriani or Tosin Abasi, to the electric blues of Albert King, Gary Moore or Buddy Guy, it can be all too easy for compositions to end up sounding like one big guitar solo. It takes the ingenuity and skill that all these artists possess to elevate guitar instrumentals into somethin

Review: At The Boiling Point by Marshall Oakman

There's something about boogie-woogie in it's modern form that is incredibly joyous. The melting pot of blues, rock n roll and r'n'b that defines the style is infectious but, certainly for those of us in the UK at least, it's rarely heard outside of Jools Holland's TV show jams. And when you do hear it, it's rarely done as well as Marshall Oakman's At The Boiling Point, an instantly catchy and remarkably well composed track that hits every mark a great modern boogie-woogie track should. Marshall Oakman may not be a familiar name, but over his extensive career the New York based musician has forged an impressive path not only as a talented songwriter but also a tremendous performer, with a strong reputation across the Eastern US. For his latest single he has enlisted the help of fellow New Yorkers Kasim Sulton on bass, Liberty DeVitto on drums and Paul Pesco on guitar, all of whom come with fantastic experience and provide skilful playing on the track. At

Interview: Eneko Artola

In a relatively short time Eneko Artola has gone from an unknown figure with a passion for music to one of the most notable new producers in house and music today. His background is fascinating, and his rise is one that seems to be nowhere near it's peak yet. His music combines the kind of soulful, vocal-led house music popularised a few years ago by the likes of Duke Dumont, Disclosure and Swedish House Mafia, and through the latter half of the 2010s has developed into the Electro-Chill and Tropical House scenes. Eneko puts a distinctive French twist into his sound though, reminiscent of some of the French House artists like Cassius or Justice, and it's a sound which has helped him gain some remarkable traction in such a short time. Based in London, the 20 year old originally hails from the French area of the Basque Country; but his travels have taken him beyond Europe, spending time in Canada and China before coming to the UK. In the first part of this interview we talked abo