Skip to main content

Review: I'd Send You My Heart by Chris St. John

You think you've heard every background story a musician could possibly have, and then a new story appears to surprise and delight you. Chris St. John is a former judge who has spent twenty six years in the legal profession, but has now decided to follow his passion for music. Over the course of those years he has composed a number of excellent songs that tell some of the stories, joys and hardships of his personal life with exquisite beauty. He has brought these together on his gorgeous debut album I'm Dreaming, released earlier this year. I'd Send You My Heart is the stunning closing track to the album that combines all the melancholy of his song-writing style into a simple but perfectly formed ballad.

Telling the story of a lost loved one, the track approaches a theme that is familiar and relatable with a deeply personal touch. While the references to texting and the nature based metaphors feel tangible, they also clearly portray a very specific meaning to Chris St. John. This is made even more evident in his vocal performance which strikes a balance between the fragile, immediately emotive tones of a singer like Damien Rice and the breathy, reflective tones of someone like Nick Drake.

The song is a wonderfully bitter-sweet tune that sits on the bridge between folk and country. There's clearly influences from British folk artists like Donovan and Bert Jansch, as well as singer-songwriters like Joni Mitchell, Leonard Cohen and James Taylor. The sombre melodies have some influence from country, but the way the guitar lines and the string sections fold into each other feels more typical of folk music. It's an incredibly atmospheric track, evoking not only an ethereal ambience but also the wide open landscapes, both of which are referenced in the lyrics. That in itself is rather remarkable, and to be able to craft a piece that so closely evokes it's lyrics with such simple elements shows a very strong musical perception.

There's a real authenticity to the track that shouldn't come as a surprise given Chris St. John's background and his reasons for creating his music. There isn't any other motive here other than to express some deep feelings and experiences in the form of strikingly intimate music. It makes for an incredibly refreshing listen, and one that only goes to show that music is an artform driven as much by emotion as it is by skill.


You can check out Chris St. John and his music at the links below:

Listen on SoundCloud

Watch on YouTube

Like on Facebook

Follow on Instagram

Follow on Twitter

Visit ChrisSt.John.com


Comments

Popular posts from this blog

Review: Kissed By An Angel & Endless Void by Dan Wande

At this point I'm pretty familiar with Swedish musician Dan Wande , having written about him and his music several times on this blog, but it's always interesting to see how an artist progresses with each release. On his new two track record, Kissed By An Angel & Endless Void , Dan Wande gives us his most well crafted tracks yet that show a subtle development in song writing, an increasingly polished production, and a solidified sound that establishes well and truly what Dan Wande is all about. Combining the hard hitting and progressive sounds of 80s metal, with the melodic and atmospheric sounds of 70s occult rock and an increased use of darker modern metal grooves, these tracks take you to a place where heavy metal remains sitting atop it's glorious and timeless throne. One of the most definitive changes has been a new band line-up. Whilst Dan Wande has always been the sole song-writer of his music, different performers will always bring something new to a compos...

Review: Apparitions by Joe Hodgson

As someone who has played guitar for close to two decades, I understand that the relationship with the instrument can run deep. There is something both beautifully elemental and wildly creative about the guitar which makes it such an endearing medium. But you don't have to be a wizard with the six strings to make amazing music, and those who do verge on the conjuring side often fall into a trap, losing the inherent soulfulness of the instrument for the sake of technical mastery and virtuosic ability. That line can be a fine one to balance on, and getting the equilibrium right is something many a musician has struggled with when putting the guitar as their centrepiece. From the shredding of Steve Vai, Joe Satriani or Tosin Abasi, to the electric blues of Albert King, Gary Moore or Buddy Guy, it can be all too easy for compositions to end up sounding like one big guitar solo. It takes the ingenuity and skill that all these artists possess to elevate guitar instrumentals into somethin...

Review: Shaker by Hollywood Video Game Kill-Bot

There's a self-deprecating joke amongst fans of New York noise rock pioneers Swans that goes something along the lines of: 'What's your favourite Swans song?' 'The one with a single guitar chord repeated for ten minutes while someone screams "suicide" over the top' 'But wait... isn't that all of them?!'. Cue a chorus of laughing music nerds. Joking aside, there's something to be said for the mind-melting experimentalism of repetitive music, and while that Swans joke is a bit of an exaggeration, there are times when a simple hypnotic loop can offer something quite fascinating to listen to. In this regard, I wonder if that was the intention of Hollywood Video Game Kill-Bot on their latest single Shaker, or whether the track's trance-like effect is simply an incidental effect of it's composition? Hollywood Video Game Kill-Bot is a rather enigmatic artist, with little information available about them other than the name and location...